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Hank Williams III-Long Gone Daddy-CD-FLAC-2012-BOCKSCAR

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Hank Williams III-Long Gone Daddy-CD-FLAC-2012-BOCKSCAR Download

Hank Williams III-Long Gone Daddy-CD-FLAC-2012-BOCKSCAR

Description :

Artist : Hank Williams III
Album : Long Gone Daddy
Bitrate : 942 kbps

+——————————-[Release Info]——————————-+

Source : CD (LP)
Label : Curb Records
Year : 2012
Genre : Country
Rip date : 2013-06-21
Store date : 2012-04-17
Encoder : FLAC 1.2.1

+——————————–[Track List]——————————–+

1. Im A Long Gone Daddy 3:38
2. Sun Comes Up 2:56
3. The Bottle Let Me Down 2:47
4. Wreck Of The Old 97 2:57
5. Neath A Cold Gray Tomb Of Stone 2:53
6. The Wind Blew Cold 2:22
7. Good Hearted Woman 4:17
8. This Aint Montgomery (With Joey Allcorn) 4:11
9. What They Want Me To Be 3:25
10. If The Shoe Fits (Shuffle Mix) 3:49
—–
33:15

+——————————-[Release Notes]——————————+

Hank Williams III and Curb Records had a contentious relationship through most
of the 14 years he was signed to the label, and Curb hasnt exactly been going
out of its way to get in his good graces since hes moved on. Long Gone Daddy
is the second “new” Hank Williams III Curb has released since his contact with
the label ran out at the end of 2010; 2011s Hillbilly Joker was a slightly
reworked version of a hardcore punk/metal album Curb refused to release when
it was originally submitted, and 2012s Long Gone Daddy is a set of old-honky
tonk tunes featuring unreleased outtakes from Williams first two albums for
Curb, Risin Outlaw and Lovesick, Broke and Driftin, filled out with material
drawn from various compilations and a duet with Joey Allcorn from the latters
album 50 Years Too Late. Given the cut-and-paste nature of this album and the
fact the bulk of it was previously deemed unworthy of release, the pleasant
surprise is that Long Gone Daddy isnt bad at all. Hank III is a sure hand
with old-school honky tonk numbers, and the covers of classics by Merle
Haggard, Johnny Cash, Waylon Jennings, and Hanks grandfather Hank Williams,
Sr. are great stuff, sung with all the twangy commitment they deserve. Hank
IIIs own “What They Want Me to Be,” like Allcorns “This Aint Montgomery,”
suggests that his philosophical differences with Curb were there right from
the start in their tales of struggling against the Nashville mainstream. And
with the absurd dance remix of “If the Shoe Fits” that closes the album, the
label twists their knife into Williams one more time. For fans who prefer Hank
IIIs purer hillbilly style over the more rock-oriented material that has come
to dominate his work, most of Long Gone Daddy will be a short (33 minutes) and
sweet reminder of his earlier and less frenetic days, but its difficult for
anyone who cares about Williams music to not see this and Hillbilly Joker as
blatant displays of disrespect toward an artist who dared to follow his own
creative path.

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