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Luke Bryan-Kill The Lights-Deluxe Edition-CD-FLAC-2015-FORSAKEN
Description :
Artist : Luke Bryan
Album : Kill The Lights
Label : Capital Records Nashville
Genre : Country
Source : CD
Street Date : 2015-08-07
Quality : 1013kbps / 44.1kHz / 2 channels
Encoder : FLAC 1.2.1
Size : 434.77 MB
Time : 57:11 min
Url :
1. Kick The Dust Up 3:11
2. Kill The Lights 2:59
3. Strip It Down 4:01
4. Home Alone Tonight (Ft Karen Fairchild) 3:10
5. Razor Blade 3:41
6. Fast 3:26
7. Move 3:47
8. Just Over 3:13
9. Love It Gone 3:38
10. Way Way Back 3:19
11. To The Moon And Back 3:58
12. Huntin’, Fishin’ And Lovin’ Every Day 4:38
13. Scarecrows 3:38
14. Corner Booth (Bonus Track) 3:19
15. Little Boys Grow Up And Dogs Get Old (Bonus Track) 3:44
16. Buddies (Bonus Track) 3:29
Contains 3 bonus tracks exclusive to Target stores
When Luke Bryan subtitled his final collection of Spring Break
EPs “Checkin’ Out,” he made no bones about his maturation: now
that he’s a man, he’s giving up his childish ways. Kill the
Lights — Bryan’s fifth album, delivered just five months after
that farewell to Spring Break debauchery — is unabashedly the
work of a man who is beginning to feel the weight of encroaching
middle age, but Bryan isn’t running away from the good times he
celebrated as a younger man. Sure, there are suggestions that
he’s feeling the weight of his years — he notices how “60 seconds
now feel more like 30,” then compares his beating heart to the
skips on a CD — but Bryan isn’t living for yesterday, he’s
duetting with Little Big Town’s Karen Fairchild about texting
pictures to their exes to stoke jealousy while singing the title
song to a neo-new wave disco beat that could also pass as EDM. In
other words, Bryan is happy to be a modern man and Kill the
Lights excels by being modern, as comfortable in the contours
that lie between contemporary country and crossover as it is in
the workingmans’ sports bars that dot these United States. Bryan
never abandons his blue-collar roots but he also suggests he sees
a world outside of red states (after all, he obliquely references
Coldplay on the arena ballad “Just Over”) and that is the key to
the record’s success: Bryan is everything to everybody, a genial
host who hopes everybody is having a grand time. He’s crowd
pleasing without pandering, delivering slow-burning ballads and
tempered party tunes that never descend to bacchanalia. Bryan is
a guy that wants everybody to have fun, then come back tomorrow
for another round and that’s why Kill the Lights works so well.
He’s a genial, generous host, going out of his way to ensure
everybody has a good time, and Kill the Lights winds up feeling
happy and generous, an inclusive record that plays to teenage
desires as effectively as memories of an adolescence left behind.
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